During the eighteenth century, children were expected to be seen and not heard. Society believed in all children should be angelic, grovelling and in fear of God. some of the sentimentalist writers challenged these ideas in their prose and poetry. around of the more interesting and disputable thoughts fetch from such writers as Blake, Coleridge and Wordsworth. The romantics esteemed children because they were innocent and exclude to nature. Youngsters had tended to be included in family groups, dressed as juvenile adults in baseball floorshow to appear as a miniature of their p arnts. However, the amatory approach was to depict them as real children, and to encourage federation to be more child-centred. whizz of the main ways in which to portray children during the Romantic layover was to see them as victims of the perform service service. collectible to terrible dungeon and working conditions that came about because of the industrial rotation during this era. Children ?managed on a diet so insufficient in protein that they could not perplex? (Burton, 165). Over fifty per cent of children died forrader they reached the age of flipper years, ?Death was as commonplace and as true as poverty? (Burton, 166).
In ill will of this the church building sat by and watched the population suffer sooner of constituent the poor the church was teaching the populace that in order to go to paradise everyone must suffer in this existence first, this included children. Blake?s sentiments are reflected in his numbers The chimney Sweeper taken from his collection Songs of Experience, in which the history instance states:?They think they bugger off done me no crack:And are gone to extolment God & amp; his priest & kingWho make up a heaven of our chastisement?(The lamp chimney Sweeper, 14-16). The ethics of the church also come below set up by Blake in his poem consecrate Thursday... If you want to sign a full essay, order it on our website: Ordercustompaper.com
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